Thursday, May 17, 2012

Monday, April 30, 2012

Federico Tenorio of Digital World Solutions Found My Blackberry on Saturday Night

I lost my Blackberry on Saturday night and was in utter despair. Sunday morning my friend Dave texted me that he was running late to the ALT libretto reading at Opera America, and Federico Tenorio, President and CEO of Digital World Solutions, Inc on West 29th Street called him back and said he had the Blackberry. He was across the street from Opera America. I went over to thank him and offered him some money for it, and he just shrugged and smiled. Here is the website for Digital World Solutions on West 29th Street. (There's another one overseas, with a slightly different domain name.) The guy who runs it is honest.

Friday, February 10, 2012

Another Freshly Brewed, with History

An upcoming ALT event, this one on Sunday, Feb 26, 2012 at Opera America, with composer Anthony Davis. Since I'm feeling blog-lazy today in the midst of all my other projects, I'm simply copying and pasting parts of the press release! I'm a lazy lazy man. Ah, screw it, I have to finish this libretto and my taxes.

"American Lyric Theater (ALT) is pleased to announce that composer Anthony Davis will host the next event in the company's FRESHLY BREWED concert and master class series on Sunday, February 26th, 2012, at 1:00 PM.

The FRESHLY BREWED series was designed to give the public a chance to see inside the Composer Librettist Development Program studio. ALT's flagship program, the Composer Librettist Development Program (CLDP) is the only full time mentorship initiative for emerging operatic writers in the United States. Anthony Davis, internationally acclaimed composer of the operas X, THE LIFE AND TIMES OF MALCOLM X, TANIA, AMISTAD, and WAKONDA'S DREAM, is a guest faculty member and artist mentor for the CLDP.

Davis is known around the globe for his exciting works that draw from the lives of historical figures. This month's FRESHLY BREWED event will be the culmination of his winter residency at ALT, during which composers and librettists in the CLDP have been exploring the challenges of dramatizing history for the opera stage. Guest singers from the country's leading opera houses join us for a program of newly written scenes based on real-life figures, including Robert S. McNamara, Secretary of Defense during Vietnam under Presidents Kennedy and Johnson; Henry Morton Stanley, the famous British explorer of Africa; (HEY THERE EVERYONE THIS ONE IS MINE, LOVE DAVID) Helen Suzman, the lone woman in South Africa’s parliament for 36 years, and a tireless dissenter against apartheid; and Salvador Allende, President of Chile from 1970-1973, and the first democratically elected Marxist to become president of a country in Latin America.

American Lyric Theater Resident Artists to be featured include composers Alla Borzova, Jeremy Beck, Theo Popov, Jorge Sosa, and Jeffrey Smith; and librettists Magda Bogin, Kate Light, Stephanie Fleischmann, David Johnston, and Laura Sosa."

"Tickets, which include a light brunch, are available for $20 through Smarttix. Advance purchase is required. Due to limited seating capacity at OPERA America, tickets are strictly limited and will not be sold on the day of the event. OPERA America is located at 330 Seventh Avenue (between 28th and 29th)."

Thursday, February 9, 2012

A Quote of the Day from Joseph Mitchell

Somebody runs a Joseph Mitchell Facebook page, and periodically posts one of his wonderful, understated, pitch-perfect quotes.

“I believe the most interesting human beings, so far as talk is concerned, are anthropologists, farmers, prostitutes, psychiatrists, and an occasional bartender. The best talk is artless, the talk of people trying to reassure or comfort themselves, women in the sun, grouped around baby carriages, talking about their weeks in the hospital or the way meat has gone up, or men in the saloons, talking to combat the loneliness everyone feels.” From his collection of short pieces, My Ears Are Bent

Tuesday, January 10, 2012

Peter Bellamy Portraits

Several years ago, Time Out NY had a feature on playwrights, and they sent a guy to my apartment to take a picture of me. At the time, my life was in a total uproar and when I met Peter at my door, I was wearing a hoodie and I don't think I'd shaved. He quietly said, "Do you want to change into something else? A lot of people are going to read this." I hustled off to put on something a little nicer.

We chatted and he did all those professional photographer things to put a subject at ease; talking about himself, drawing me into a conversation about something completely unrelated. (I don't like having my picture taken and it usually shows.)

He did take a very nice pic, though - one of my favorites of myself - and now it's up on his website. Definitely cool people on it; Andrea Lepcio, who I worked with at America-in-Play, Lynn Nottage, John Clancy, and David Ives with an excerpt from one of my favorite blues-killers, "Variations on the Death of Trotsky."

Wednesday, December 7, 2011

Roman Calendar and Entering the Breech

A few odds and ends...A NUMBER ON THE ROMAN CALENDAR, which was read at the Players Club in September, will be published by Applause Theatrebooks in their Best American Short Plays series next year. Thanks to Carter Jackson and Sarah Kate Jackson at d.i.r.t company, which produced the reading as part of their inaugural event. Also thanks to Jonna McElrath, Jim Ireland and Tom Lyons who are all so damn funny.

AND. First up event at American Lyric Theater's Composer Librettists Development Program. OK, that was long, what does that mean? My first work for opera, publicly presented; Freshly Brewed - The Art of the Aria, a Master Class with Mark Adamo. It's on Sunday, December 18, 1 PM at Opera America, 330 7th Avenue at 29th Street. I'm working with a wildly talented young composer, Theo Popov, and we'll be presenting an aria written for soprano Katherine Jolly. The whole thing is quite scary and exciting. Twenty bucks in advance, and ALT will throw in brunch.

Tuesday, October 11, 2011

Exorcism

Oh. My. God. The New Yorker has unearthed an unpublished Eugene O'Neill play from 1920. Staged in 1920, it looks like O'Neill destroyed all the copies he thought existed to placate his father. Found in some screenwriter's papers, a copy - the gift of one of O'Neill's wives, Agnes Boulton. So. Cool. Life is good.